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review

‘State Of The Union – The American Dream In Crisis’

7 November 2018 Martin Ruddock 1

❉ St Etienne’s Bob Stanley and Pete Wiggs round up an impeccable collection of cuts by middle-aged artists coming to terms with the late 60s.

‘Doctor Who’ 11:05: ‘The Tsuranga Conundrum’

5 November 2018 Robert Fairclough 0

❉ Without a doubt, The Tsuranga Conundrum was Chibnall’s best script so far for Doctor Who, writes Rob Fairclough.

‘Performance – 50th Anniversary Book’ reviewed

3 November 2018 Robert Fairclough 0

❉ A behind the scenes look at the making of the controversial cult classic, starring James Fox, Mick Jagger and Anita Pallenberg.

‘They Live’ (1988) 30 Years On

29 October 2018 Iain MacLeod 0

❉ John Carpenter’s most nakedly political film is is not just about politics but about the cynical nature of humanity itself, writes Iain Macleod.

‘Doctor Who’ 11.04: ‘Arachnids In The UK’

29 October 2018 Robert Fairclough 0

❉ As the Doctor, Jodie Whittaker continues to surprise and entertain, writes Robert Fairclough in our latest new series review.

‘The Silver Archive: Sapphire And Steel’

27 October 2018 Ken Shinn 0

❉ The first 3 volumes of Obverse Books’s new range covers the entire run of one of the oddest, creepiest, most cerebral series of them all…

Blu-Ray: ‘Night Of The Demon’ (1957)

25 October 2018 Andy Murray 0

❉ It’s in the trees! Andy Murray pores over Powerhouse’s exhaustive Blu Ray edition of the cult classic, here with a generous section of extras.

‘The Fog’ (1980) 4K Restoration reviewed

24 October 2018 Iain MacLeod 0

❉ 1980 John Carpenter classic returns to cinema screens and home entertainment newly restored and looking better than ever.

‘Doctor Who’ 11.03: ‘Rosa’

23 October 2018 Robert Fairclough 1

❉ ‘The defiantly humanist, brilliantly written series I fell in love with all those years ago is well and truly back’, writes Rob Fairclough.

‘Five Fingers For Marseilles’ (2018)

23 October 2018 Iain MacLeod 0

❉ This movie shows that risks can still be taken with the Western, such as giving the genre’s template a South African cultural overhaul.

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