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CULT FILM

John Carpenter 4K Restorations: Brand New Trailer and Poster Art

19 September 2018 We Are Cult 0

❉ STUDIOCANAL have today launched a brand new trailer for the newly restored classics The Fog, They Live, Escape From New York and Prince Of Darkness.

‘Who Killed Teddy Bear’ (1965)

17 September 2018 Russ J Graham 0

❉ 1965 cult classic, originally rejected by British censors, makes its worldwide Blu-ray and VOD debut. Russ J Graham inspects the wares.

‘E-Demon’ (2018)

14 September 2018 Iain MacLeod 0

❉ ‘E-Demon’ is an example of the screenlife genre, which picks up where found footage left off. But is it any good?

‘The Basement’ (2018)

13 September 2018 Iain MacLeod 0

❉ This film only works as a cautionary tale of how low Mischa Barton’s career has fallen, writes Iain MacLeod.

‘Ciao! Manhattan’ on Blu-Ray

11 September 2018 Daniel Marner 0

❉ Emerging onto Blu Ray for the very first time David Weisman and John Palmer’s Ciao! Manhattan is an odd, fragmentary, fitfully impressive patchwork quilt of a movie.

‘Rollerball (Constellations)’ reviewed

10 September 2018 Robert Fairclough 0

❉ Andrew Nette’s excellent monograph of Norman Jewison’s film is “one of the best examples of critical writing I’ve ever had the privilege of enjoying”.

‘Miss Leslie’s Dolls’ (1973) reviewed

6 September 2018 Russ J Graham 0

❉ DON’T GO INTO THE CELLAR, as they said on Rentaghost.

‘Assault’ (1971) on Blu-Ray reviewed

27 August 2018 Iain MacLeod 0

❉ Sidney Hayers’ 1971 thriller boasts a number of familiar names in fresh-faced early roles, including James Cosmo, Lesley-Anne Down, and David Essex making his second screen appearance.

Aura(l) Pleasures – Queen’s ‘Flash Gordon’ Soundtrack

24 August 2018 Don Klees 0

❉ Queen’s music is a fundamental part of the texture of Flash Gordon, an artful fusion of sound and vision, writes Don Klees.

Going Underground: ‘Death Line’ (1972) on Blu-Ray reviewed

23 August 2018 Iain MacLeod 1

❉ Pure entertainment at its morbidly violent best, with a style and sense of place that no other British horror film since then has managed to capture. Mind the doors…

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