‘The Forest of the Lost Souls’ reviewed
❉ This black and white Portuguese horror is a game of two halves, Iain MacLeod finds.
❉ This black and white Portuguese horror is a game of two halves, Iain MacLeod finds.
❉ David Llewellyn unpicks Jean Cocteau’s dreamlike adaptation of Beauty and the Beast, released in High Definition for the first time.
❉ “Myra Breckinridge is a dish, and never forget it, you motherfuckers, as the children say nowadays”. We look back on the cult movie.
❉ Writer/director Robert D. Kryzowski and a seriously great Sam Elliott deliver one of the year’s best and most pleasant surprises!
❉ The BFI proudly presents Jean Cocteau’s masterpiece in High Definition for the first time in the UK next month.
❉ Drew Pearce’s directorial debut marshals great performances from what could be an intimidating cast and the pace never flags, writes Iain MacLeod.
❉ Hannah Gadsby’s Netflix comedy special, Nanette, is like no other. But then Hannah herself is like no other.
❉ “Why are musical geniuses on film always piano players?”, muses Iain MacLeod. “You never see a tortured accordion player or obsessed washboard player.”
❉ Derek Jarman’s enduring legacy is celebrated in this lavish box set, containing his first six features alongside an exciting array of new and archival extras.
❉ Does Rob Brydon’s new comedy sink or swim? Ben Peyton delivers his verdict.
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