❉ “Why are musical geniuses on film always piano players?”, muses Iain MacLeod. “You never see a tortured accordion player or obsessed washboard player.”
❉ We chat with the legendary screenwriter/script doctor (Batman Returns, Face/Off, Cape Fear) and writer/producer on The Man in the High Castle.
❉ Nothing is at it seems in this esoteric, enigmatic Brit indie flick.
❉ We conclude our series on cult icon Udo Kier’s Euroslash triptych with is a foray into the weird world of Walerian Borowczyk.