Restored from the original negative by The Edgar Reitz Film Foundation, Heimat can now be seen in all its glory in high definition.
❉ Margot Robbie is utterly convincing as the unconventional Tonya, writes Ben Peyton.
❉ Every balcony is a poem in new one-take short Accidence, premiering Monday Feb 19 at Berlinale.
❉ After-Image looks at single images and the emotional and narrative weight they carry. This week: Nobody Trusts Anybody Now And We’re All Very Tired.
❉ Does size matter when you’re Matt Damon?
❉ Character driven films don’t get much better than this, writes Ben Peyton.
❉ Love Is The Drug is the latest compilation of gay short films from Peccadillo.
❉ After-Image looks at single images and the emotional and narrative weight they carry. This week: Do You Ever Tell The Truth?
❉ Darkest Hour is Gary Oldman’s finest hour.
❉ Nick Clement presents his assessments of cinematic gems and cult oddities.