❉ ‘E-Demon’ is an example of the screenlife genre, which picks up where found footage left off. But is it any good?
❉ This film only works as a cautionary tale of how low Mischa Barton’s career has fallen, writes Iain MacLeod.
❉ Emerging onto Blu Ray for the very first time David Weisman and John Palmer’s Ciao! Manhattan is an odd, fragmentary, fitfully impressive patchwork quilt of a movie.
❉ If you’re a fan of Burt Reynolds’ work, this little gem will remind you why he was such a dominating box-office force for so many years, writes Nick Clement.
❉ Does this Scandi-noir thriller live up the promise of its intriguing premise? Iain MacLeod pines for the fjords.
❉ This black and white Portuguese horror is a game of two halves, Iain MacLeod finds.
❉ Writer/director Robert D. Kryzowski and a seriously great Sam Elliott deliver one of the year’s best and most pleasant surprises!
❉ Drew Pearce’s directorial debut marshals great performances from what could be an intimidating cast and the pace never flags, writes Iain MacLeod.
❉ Does Rob Brydon’s new comedy sink or swim? Ben Peyton delivers his verdict.
❉ How does the fantasy drama based on the comic by Joe Kelly and J. M. Ken Nimura fare on screen?