Restored from the original negative by The Edgar Reitz Film Foundation, Heimat can now be seen in all its glory in high definition.
❉ After-Image looks at single images and the emotional and narrative weight they carry. This week: Nobody Trusts Anybody Now And We’re All Very Tired.
❉ After-Image looks at single images and the emotional and narrative weight they carry. This week: Do You Ever Tell The Truth?
❉ Nick Clement presents his assessments of cinematic gems and cult oddities.
❉ ‘Messiah of Evil’ falls somewhere between arthouse and grindhouse, early George Romero and late Mario Bava…
❉ The Powers of Hell Grab a Bride of Christ in the First Trailer for Sulphur for Leviathan.
❉ We chat with the legendary screenwriter/script doctor (Batman Returns, Face/Off, Cape Fear) and writer/producer on The Man in the High Castle.
❉ This excellent collection of essays will provide the backbone for your holiday viewing in eleven months’ time.
❉ Bowie’s queer sensibility is most closely associated with his music, but how did it manifest in his film career?
❉ Nick Clement spoke with costume designer Stacey Battat, cinematographer Philippe Le Sourd, and sound designer Richard Beggs about their stunning achievements on The Beguiled.