❉ Cronenberg’s violent exploration of digital immersion has proved to be eerily prophetic, in its own skewed bio-technological way.
❉ Thomas Baldinger, writer/director of indie comedy ‘Who’s Jenna..?’, tells all.
❉ Ever find yourself lying awake in the wee hours inexplicably troubled by one question; when is an Ed Wood film not an Ed Wood film?
❉ Ken Shinn explores The Wonderful Worlds Of Ray Harryhausen.
❉ Featuring an Amazing 2 ½ Hours of Special Features!
Restored from the original negative by The Edgar Reitz Film Foundation, Heimat can now be seen in all its glory in high definition.
❉ After-Image looks at single images and the emotional and narrative weight they carry. This week: Nobody Trusts Anybody Now And We’re All Very Tired.
❉ After-Image looks at single images and the emotional and narrative weight they carry. This week: Do You Ever Tell The Truth?
❉ Nick Clement presents his assessments of cinematic gems and cult oddities.
❉ ‘Messiah of Evil’ falls somewhere between arthouse and grindhouse, early George Romero and late Mario Bava…